Victorian Faerie Fashions
We asked Kambriel about the clothing she made for the project—and for fashion tips for those of us who plan to attend a Victorian...
A Q&A with The Mermaid Handbook author (and Faerie Magazine editor)...
Rona Berg: Several years ago, you wrote a beautiful novel called Mermaid. Can you share a tantalizing bit about what inspired it?
Carolyn Turgeon: I...
Faerie News: Outlander Autumn Issue
We are enjoying getting to work on our autumn issue -- which is all about Outlander! If you're a fan of the books or...
Celestial Mermaids
PHOTOGRAPHY BY STEVE PARKE
The idea for this shoot sprang forth when Shannon Dawn Rauch invited me to the secret archives of the legendary Morris...
Enchanting Gifts from Fairy Glen
Featured Image: Photo by Justine Meyer on Unsplash
We hope you're having a gorgeous week! We thought we'd share this quick post to tell you...
Siouxsie Sioux, Thank You
Feature Image: Siouxsie Sioux, from the album Mantaray, 2007 | Vinyls / Alamy Stock Photo
I was once a little girl beside herself with excitement...
Finfolk Productions
Photography by LUNAHZON PHOTOGRAPHY
Ten years ago, when the Minnesota Renaissance Festival put out a call for tails for their brand-new half-lady, half-fish attraction, identical...
Enchanting Conversation with Jewelry Designer Avigail Adam
In gorgeous news, we wanted to share some pretty spectacular images with you. These are all from designer extraordinaire Avigail Adam, who not only...
Amelia Jane Murray’s Fae Langour
From the early 1820s until 1829, young Manx artist Amelia Jane Murray (1800–1896) rather obsessively painted fairies—smartly dressed and not overly active tiny creatures, that is, who reclined on feathers and stems and leaves as if they were chaise longues.
Beneath the Witch’s Hat
Photography by Alassie
It’s as essential—as elementary really—to the vintage witch as a broom or flowing skirts. No, even more so. Much more than pointy...